ANALYZING ĀṄGIKA AND ĀHĀRYA OF SELECT CHARACTERS IN RUKMINI DEVI ARUNDALE’S KŪRMĀVATĀRAM DANCE DRAMA
This paper studies the use of Āṅgika and Āhārya Abhinaya in selected characters from the dance drama Kūrmāvatāram, choreographed by Rukmini Devi Arundale. The research focuses on how Rukmini Devi’s creative choices in choreography and aesthetics are seen in the body movements and costume design of the characters. The aim is to understand how her artistic vision shaped the presentation of these characters and contributed to the storytelling of the dance drama. The study uses a qualitative and analytical method, based on the viewing of a 2006 video recording of the performance and discussions with alumni of Kalakshetra who have witnessed the production. The characters selected for detailed analysis are Mahābali, Mohini, Vāsuki, Hālahala, and Lakṣmī. Each of these characters is studied for how their emotional and narrative qualities are expressed through movement vocabulary, hand gestures, body language, and costume. The research observes how Āṅgika Abhinaya aligns with the characters' roles and how Āhārya Abhinaya helps support their symbolic meaning in the narrative. The study also notes the influence of Kathakaḷi, especially in the portrayal of male characters, and how this added a dramatic quality to the performance. The findings show Rukmini Devi’s innovative approach in integrating traditional elements with her personal style. The symbolic staging, attention to detail in costuming, and clarity in character presentation reflect her deep understanding of classical art. The dance drama Kūrmāvatāram, as performed at Kalakshetra, continues to preserve her legacy. This research highlights Rukmini Devi Arundale’s role in shaping Bharatanāṭyam as a composite classical art form and her efforts in reviving temple-based dance traditions for modern stage presentation.
Author: Ms.Anvitha K M Anvitha K M Submitted on : 16-Sep-2025 Arts : /Classical Dance/Bharathanatyam
Journal ID : 7245-988-3272
Views: 76/ Downloads :0
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