| Exploring the role of choreographers in designing solo compositions in KÅ«cipuá¸i: Tradition in Transition |
| This research investigates the evolution of KÅ«cipuá¸i dance from its traditional group-oriented NÄá¹ya Tradition to its current prominence as a solo art form, specifically examining the significant role of choreographers in this transformation from the early to late 20th century. The study analyses the contributions of key figures, including VÄ“dÄntaá¹ Laká¹£minÄrÄyaṇa ÅšÄstri and Vempaá¹i Chinna Satyaṃ, who pioneered solo compositions and adapted existing theatrical forms like Yaká¹£agÄna for individual performance. Employing a methodology that combines archival research, biographical accounts, scholarly works, and consultations with senior Guru-s and dancers, this paper identifies the innovative choreographic strategies employed. These include the development of new and varied solo repertoires, the integration of diverse musical and literary sources, the incorporation of abhinaya techniques from temple and other dance traditions, and the creation of detailed performance manuals (jÄtakaá¹). The main results highlight the significant shift towards solo presentations, the expansion of KÅ«cipuá¸i's expressive range through novel thematic content and structural innovations, and the establishment of distinct stylistic idioms. The study concludes that the visionary contributions of these choreographers were indispensable in navigating socio-cultural changes, preserving the classical roots while fostering innovation, and ultimately elevating KÅ«cipuá¸i to a recognized and vibrant classical dance tradition with national and international acclaim. |
| Author: Mrs. Mythili P
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Submitted on : 16-Sep-2025
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Arts : India/Classical Dance/Kuchipudi |
| Journal ID : 8353-198-4435
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| Views: 11/ Downloads :0 |
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