| Exploring the role of choreographers in designing solo compositions in Kūcipuḍi: Tradition in Transition |
| This research investigates the evolution of Kūcipuḍi dance from its traditional group-oriented Nāṭya Tradition to its current prominence as a solo art form, specifically examining the significant role of choreographers in this transformation from the early to late 20th century. The study analyses the contributions of key figures, including Vēdāntaṁ Lakṣminārāyaṇa Śāstri and Vempaṭi Chinna Satyaṃ, who pioneered solo
compositions and adapted existing theatrical forms like Yakṣagāna for individual performance. Employing a methodology that combines archival research, biographical accounts, scholarly works, and consultations with
senior Guru-s and dancers, this paper identifies the innovative choreographic strategies employed. These
include the development of new and varied solo repertoires, the integration of diverse musical and literary
sources, the incorporation of abhinaya techniques from temple and other dance traditions, and the creation of
detailed performance manuals (jātakaṁ). The main results highlight the significant shift towards solo
presentations, the expansion of Kūcipuḍi's expressive range through novel thematic content and structural
innovations, and the establishment of distinct stylistic idioms. The study concludes that the visionary
contributions of these choreographers were indispensable in navigating socio-cultural changes, preserving the
classical roots while fostering innovation, and ultimately elevating Kūcipuḍi to a recognized and vibrant
classical dance tradition with national and international acclaim. |
| Author: Mrs. Mythili P
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Submitted on : 16-Sep-2025
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Arts : India/Classical Dance/Kuchipudi |
| Journal ID : 8353-198-4435
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