| Folk music influence seen in the Gēyanāṭaka “Nowka Charitramu” of Saint Tyāgarāja |
| The Gēyanāṭaka “Nowka Charitramu,” attributed to Sadguru Tyāgarāja, presents a unique lyrical narrative centered on a symbolic boat ride between Lord Kṛṣṇa and the Gōpi-s. Deviating from the traditional portrayal of Rasa Kreeda found in the Bhagavata Purana, this operatic work explores deep devotion (prapatti) and divine love. It draws inspiration from regional literary traditions, such as the Bengali Nowka Vilasa, to forge a distinct spiritual path toward salvation.
While Tyāgarāja's parallel opera Prahlada Bhakti Vijayamu remains firmly rooted in classical traditions, “Nowka Charitramu” stands out for its intricate synthesis of classical and folk elements. Though structured within a limited palette of sixteen classical ragas and traditional talas, the folk influence remains highly visible. This study examines how Tyāgarāja juxtaposes chaste Telugu Padyas (poetic verses) with simpler, dramatic Daruvus (songs) featuring colloquial language and local dialects. This deliberate linguistic and melodic simplicity reflects the innocence of the rural women of Gokula. Ultimately, this research underscores how Tyāgarāja leverages accessible folk traditions and familiar cultural motifs to bridge high art and community resonance, effectively illuminating the profound spiritual connection between the Jeevatma and Paramatma.
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| Author: Dr Amrutha Varshini HG
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Submitted on : 03-Jun-2026
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Arts : India/ Music/ Carnatic Classical Music |
| Journal ID : 0031-101-0346
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| Views: 25/ Downloads :0 |
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